【招生·面向全球】2023北京大学“知识体系平台（CCKS）下的影人年谱”

研究生暑期学校学员征集启事

2023 Peking University "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)"
Graduate Summer School Announcement

一、活动简介Introduction

北京大学“知识体系平台（CCKS）下的影人年谱”研究生暑期学校，由北京大学艺术学院、北京大学研究生院与国家社科基金艺术学重大项目“中国特**知识体系研究”（22ZD10）课题组联合主办。暑期学校项目负责人李道新教授，北京大学艺术学院副院长，博士生导师，长江学者特聘教授，国家社科基金艺术

学重大项目首席专家。

The Graduate Summer School on "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)" is jointly organized by the School of Arts, Peking University, the Graduate School of Peking University, and the Major Project on Chinese Cinematic Knowledge System Research of the National Social Science Fund (22ZD10) project team. The project is led by Professor Daoxin LI, Vice Dean of the School of Arts at Peking University and Changjiang Distinguished Professor. Professor Li also serves as the Principal Investigator of the Major Project on Chinese Cinematic Knowledge System Research of the National Social Science Fund.

本届暑期学校将于2023年8月6日至12日以线下面授方式举行，授课地点为北京大学艺术学院，授课形式为前沿学术讲座、专家授课、实践工作坊、沙龙对话、主题研讨、项目汇报等，面向全球招收50位相关领域学员。目标是创造一个充满活力的学术环境，吸引来自全球不同国家和地区的专家和学员们共聚一堂。在这个平台上，大家可以自由地分享自己的研究成果、创新思维并展开相应的学术研究，通过思想碰撞和经验交流，激发出更多的创意灵感。

The summer school will be held on-campus at the School of Arts, Peking University from August 6th to 12th, 2023. The program includes cutting-edge academic lectures, expert lectures, practical workshops, master dialogues, thematic discussions, project presentations, etc. It aims to attract 50 students from relevant fields worldwide, creating a vibrant academic environment. Experts and students from different countries and regions around the world will gather together. On this platform, everyone can freely share their research achievements, innovative ideas, and engage in academic research, fostering creativity and inspiration through intellectual collisions and experiential exchanges.

 

二、暑期学校信息Summer School Information

时 间：2023年8月6日—12日

Duration: August 6th to 12th, 2023

招生人数：50人

Number of Students: 50

收费情况：免费

Tuition Fee: Free

形 式：线下授课

Format: On-Campus lectures

地 点：北京大学艺术学院

Location: School of Arts, Peking University

三、教学内容和议程安排Teaching Content and Schedule

1. 暑期学校主体课程Main Courses of the Summer School

暑期学校将围绕“知识体系平台（CCKS）下的影人年谱”主题，聘请国内外知名学者共同分享。具体如下：

The summer school will focus on the topic of "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)" and invite renowned scholars from China and abroad to share their insights. The specific directions are as follows:

方向一：数智时代与电影研究的学术转型

Direction 1: The Academic Transformation of Film Studies in the Era of Data Intelligence

打破传统电影学术研究固有模式，将人类新兴科技智慧成果引入电影学术研究，革新电影学术研究方法论。

To break the inherent patterns of traditional film research, integrating the achievements of emerging human technologies into film studies, and innovating the methodologies of film research.

方向二：中国电影知识体系平台（CCKS）

Direction 2: Chinese Cinematic Knowledge System Platform (CCKS)

分享、展示中国电影知识体系平台（CCKS, movie.yingshi.net）搭建路径、成果、经验，并以CCKS为范例，探讨该平台的提升路径。

Sharing and showcasing the construction process, achievements, and experiences of the Chinese Cinematic Knowledge System Platform (CCKS, movie.yingshi.net), and using CCKS as an example to explore the path of its enhancement.

方向三：影人年谱、数字人文与平台建设

Direction 3: Chronicle of Filmmakers, Digital Humanities, and Platform Construction

依托CCKS，探索影人年谱研究、撰写的新思路，探讨以数字人文为基础的知识平台的搭建与维护。

Exploring new approaches to the study and writing of chronicles of filmmakers based on CCKS, and discussing the construction and maintenance of knowledge platforms based on digital humanities.

方向四：CCKS与中国电影知识体系研究
Direction 4: CCKS and Research on the Chinese Cinematic Knowledge System

基于CCKS，探求电影知识体系的互动连接，并思考如何在CCKS的基础上，进一步形成自主生成、全面权威而又开放共享的中国电影知识体系。

Based on the CCKS, explore the interactive connections of the film knowledge system and contemplate how to further develop an autonomous, comprehensive, authoritative, and open-sharing Chinese Cinematic Knowledge System on the foundation of CCKS.

学员将围绕影人年谱、数字人文、平台建设、知识体系研究等主题进行深入探讨，并在日程的最后一天提交一项研究报告。

Students will conduct in-depth discussions on the topics of chronicle of filmmakers, digital humanities, platform construction, and knowledge system research. On the final day of the program, they are required to submit a research report.

2. 北京⼤学海外名家讲学计划Peking University Distinguished Visiting Professor Lecture Series

除常规暑期课程外，本届暑期学校还将联合北京⼤学海外名家讲学计划，邀请华盛顿大学西雅图校区人文科学系Byron W. 和Alice L. Lockwood讲席教授，比较文学、电影和媒体系教授柏右铭（Yomi Braester)，日本东京大学综合文化研究科韩燕丽（韓燕麗）教授，韩国釜山国立大学艺术学院文宽奎（문관규）教授亲临北大燕园，面对面开展电影研究相关的前沿系列讲座。

In addition to the regular summer courses, this summer school will also collaborate with the Peking University  Distinguished Visiting Professor Lecture Program. Distinguished professors, including Yomi Braester, the Byron W. and Alice L. Lockwood Professor of Humanities and Professor of Comparative Literature, Film, and Media Studies at the University of Washington; Yanli Han, Professor at the Graduate School of Comprehensive Culture Studies, the University of Tokyo; and Gwan-gyu Mun, Professor at the School of Arts, Pusan National University. The Distinguished Visiting Professors will deliver cutting-edge lectures on film studies face-to-face at Peking University's Campus. The lecture topics are as follows:

柏右铭教授讲座主题为：时空的碎片：新媒体进入城市。

· Professor Yomi Braester: Shards of Space and Time: New Media Goes to Town

韩燕丽教授讲座主题为：数码时代的电影研究——作者论和女性主义电影理论的射程。

· Professor Yanli Han : Film Studies in the Digital Age: Authorship and the Range of Feminist Film Theory

文宽奎教授讲座主题为：“超链接”时代东亚电影的叙事模式。

· Professor Gwan-gyu Mun: Network Narratives in the East Asian Cinema in the Hyper-connected Era

3. 名师对谈Master Talk

暑期学校将安排华盛顿大学柏右铭教授、东京大学韩燕丽教授、釜山大学文宽奎教授、北京大学李道新教授和李洋教授“五人谈”作为暑期学校结营典礼。

As part of the closing ceremony of the summer school, there will be a dialogue session featuring Professor Yomi Braester from the University of Washington, Professor Yanli Han from the University of Tokyo, Professor Kwan-gyu Mun from Pusan National University, and Professor Daoxin LI and Professor Yang LI from Peking University.

五位教授对谈的主题为“中、美、法、日、韩电影研究：现状与新趋势”。
The topic of the dialogue will be:

Film Studies in China, the United States, France, Japan, and South Korea: The Status Quo and New Trends.

（注：敬请关注“北京大学艺术学院”官微，北京大学海外名家讲学计划、名师对谈已于今日（2023年6月30日）官微第二、三条推出。）

(Note: Please follow the official WeChat account of "School of Arts, Peking University" for more information. The introductions of the Peking University Visiting Scholars Lecture Program, the Dialogue with Five Distinguished Professors have been released on June 30, 2023.)

四、日程安排Schedule

2023年7月1日-20日，征集学员。

July 1-20, 2023: Application Call

2023年7月22日，确定学员名单，并发送正式的暑期学校邀请函。

July 22, 2023: Announcement of admitted students and sending of official summer school acceptance letters.

2023年8月6日—12日，正式举办暑期学校。

August 6-12, 2023: Summer school session.

具体时间安排如下 Detailed schedule:

时间Date	内容 Content
2023年6月30日 June 30, 2023	发布学员征集及系列活动预告 Announcement of call-for-application and series of activities
2023年7月1-20日 July 1-20, 2023	报名及专家评审 Application and expert evaluation
2023年7月20日24:00 July 20, 2023	报名截止 Application Deadline
2023年7月22日 July 22, 2023	发布学员遴选结果 Announcement of student acceptance results
2023年8月6日—12日 August 6-12, 2023	暑期学校举行 Summer school session

五、申请材料及报名细则Application Materials and Application Guidelines

本届暑期学校通过“报名表”+“个人学术简历”+“研究计划或前期相关研究成果”征集相结合的评选机制，选取50位学员参与。

For this summer school, a combined selection criteria of "application form" + "personal academic resume" + "research plan or previous relevant research achievements" will be used to select 50 participants.

（一）申请材料清单 List of Application Materials

1.2023年北京大学“知识体系平台（CCKS）下的影人年谱”研究生暑期学校申请表

（申请表获取方式：点开附件夹下载附件）；

Application form for the 2023 Peking University Graduate Summer School on "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)"

(Please download the application form by clicking on the attachment folder.).

2.个人学术简历；

Personal academic resume.

3.主题相关的研究计划或前期相关研究成果（已发表或未发表均可）；

Research plan or previous relevant research achievements (published or unpublished).

4.学生证/工作证（扫描件或拍照）；

Student ID/Work ID (scanned copy or photo).

5.外语水平证明电子版；

Proof of language proficiency (electronic version).

6.获奖证明电子版（说明具体时间和奖项及论文载体）；

Proof of awards (specifying specific time, awards, and publication carriers, if any).

（二）报名细则 Application Guidelines

报名截止时间为2023年7月20日。投递邮箱为ccks_pku@163.com。

The deadline for application is July 20, 2023. Please send the application materials to ccks_pku@163.com.

邮件主题格式为：姓名+学校/单位+专业方向+研究兴趣

The subject of the email should be in the following format: Name + School/Institution + Major + Research Interests.

以上所有附件请按以下方式命名：

1.姓名 申请表

2.姓名 个人学术简历

3.姓名 研究计划/前期研究成果名称

4.姓名 学生证/工作证 学校/单位名称

5.姓名 外语水平证明

6.姓名 获奖证明

（注：申请表、研究计划一律使用word文档。）

Please name all the attached documents as follows:
Name - Application Form
Name - Personal Academic Resume
Name - Research Plan/Previous Research Achievements Title
Name - Student ID/Work ID - School/Institution
Name - Proof of Language Proficiency
Name - Proof of Awards
(Note: Please use Word documents for the application form and research plan.)

入选结果将于2023年7月22日公布，由北京大学艺术学院官微发布或单独通知。

The results of the selection will be announced on July 22, 2023, and will be published on the official WeChat account of the School of Arts, Peking University or communicated separately.

六、申请材料要求Application Material Requirements

1.申请表要求 Application Form Requirements

(1) 请保证全部申请材料的真实性和准确性；

Ensure the authenticity and accuracy of all application materials.

(2) 中英文报名表选择其一填写即可；

Choose either the Chinese or English version of the application form to fill out.

2.个人学术简历要求Personal Academic Resume Requirements

(1) 申请人应为研究生在读或已取得研究生学位的学者；已有前期准备，并有志于相关领域学术研究者，可适当放宽要求。

Applicants should be graduate students or scholars who have obtained a graduate degree. Those who have made prior preparations and are interested in related academic research may be considered even if they are not currently enrolled in a graduate program.

(2) 申请人应具备良好的英语听说能力；

Applicants should have good English and Chinese speaking and listening abilities.

(3) 申请人的学术背景应与暑期课程的主题具有相关性。

Applicants' academic background should be relevant to the topics of the summer school courses.

3.主题相关的研究计划或前期相关研究成果要求 Research Proposal or Previous Relevant Research Achievements Requirements

本届研究生暑期学校的主题为数字人文、影人年谱与中国电影知识体系研究。研究计划需包括研究背景、研究目的、研究方法、研究结果及其意义等，字数不少于1500字。

The theme of this year's summer school is digital humanities, chronicle of filmmakers, and research on the Chinese Cinematic Knowledge System. The research proposal should include research background, objectives, methods, results, and their significance, with a minimum word count of 1,500 words.

鼓励研究计划与议题相关，包括但不限于：

Research proposals related to the following topics are encouraged but not limited to:

(1) 影人年谱的编纂与数字化Compilation and digitization of chronicles of filmmakers

(2) 影人知识平台与知识社群的运营、管理与发展Operation, management, and development of filmmaker knowledge platforms and communities

(3) 影人生涯地理与人文历史Geographical and cultural history of filmmakers' careers

(4) 影人创作理念、思想理论与艺术成就Filmmakers' creative ideas, theoretical thinking, and artistic achievements

(5) 影人影响力与文化价值Filmmakers' influence and cultural value

(6) 影人形象塑造与公众接受Filmmakers' image shaping and public reception

(7) 数字人文与影人年谱研究Digital humanities and research on chronicles of filmmakers

(8) 人工智能与数字人文方法创新：数据挖掘、整理、清洗及可视化等Innovation of artificial intelligence and digital humanities methods: data mining, organization, cleaning, and visualization

(9) 知识社群运营Operation of knowledge communities

……

也欢迎提交前期相关研究成果，如论文、研究报告、专著、译著、教学案例、原创数字平台/软件/工具等。

Previous relevant research achievements, such as papers, research reports, monographs, translations, teaching cases, original digital platforms/software/tools, are also welcomed.

七、学员待遇Student Benefits

本次暑期学校面向所有入选学员免费开放，不收取任何费用。

学员食宿自理。如有特殊情况，可申请补助或相应支持。

The summer school is free of charge for all admitted students.

Students are responsible for their own accommodation and meals. In case of special circumstances, subsidies or corresponding support may be available by application.

学员完成所有学习任务后，将获得北京大学颁发的2023年北京大学“知识体系平台（CCKS）下的影人年谱”研究生暑期学校结业证书。

After completing all the learning tasks, students will receive a certificate of completion for the 2023 Peking University Graduate Summer School on "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)."

八、联系方式 Contact

易 婧 YI Jing： yijing@pku.edu.cn

周丹丹 ZHOU Dandan：zhoudandan@stu.pku.edu.cn

北京大学艺术学院

School of Arts, Peking University

“知识体系平台（CCKS）下的影人年谱”研究生暑期学校

Graduate Summer School on "Chronicle of Filmmakers in the Knowledge System Platform (CCKS)"

2023年6月30日

June 30, 2023

 

暑期学校师资介绍

Summer School Faculty

（按授课时间顺序排列）

（In order of lecture)

李道新，北京大学艺术学院副院长，教授，博士生导师，长江学者特聘教授，国家社科基金艺术学重大项目“中国特**知识体系研究”首席专家。曾兼日本东京大学特任教授，在中国台湾、香港、澳门以及韩国、美国、俄罗斯、意大利、巴西、英国等20多所大学访问讲学，任《电影艺术》《影视艺术》等杂志编委，国家“五个一工程奖”评委，中国电影华表奖评委、国家电影局审片委员会委员等。在《文艺研究》《当代文坛》《电影艺术》《当代电影》《北京电影学院学报》与《人民日报》《光明日报》等重要报刊发表学术论文和影视文化评论近300篇；出版《中国电影批评史(1897-2000)《中国电影文化史(1905-2004)》《中国电影传播史(1949-1979)》《光影绵长：李道新电影文章自选集》《影与文：李道新影视文化批评集)等15种学术著作，以及诗集《大地的方向》、散文集《燕园散纪》。

Daoxin LI is a professor and vice dean of School of Arts at Peking University. He is the first Changjiang distinguished professor in Film studies in China. His main teaching and research interests are Chinese film history, culture, theory and criticism. He has published over 300 papers on Chinese film in the core journals and newspaper, including Literature & Art Studies, Film Art, Contemporary Cinema, People’s Daily, Guangming Daily. His major publications include History of Chinese Film Criticism (1897-2000), History of Chinese Film Culture (1905-2004), History of Chinese Film Communication (1949-1979), Film and Television Criticism, Theory and Criticism.

朱本军，北京大学图书馆研究馆员，管理学博士。是北京大学最早从事数字人文研究与实践的成员之一，主要从事区域国别研究文献保障、数字人文基础设施、数字图书馆相关领域研究，主持研发数字人文关键基础设施“汉语统一时间标尺平台”（www.histchina.cn)。

Benjun Zhu is a research librarian at Peking University Library, with a PhD in management. He is one of the earliest researchers and practitioners of digital humanities at Peking University. He is mainly engaged in the research of regional and country studies literature security, digital humanities infrastructure, and digital library related fields, and is in charge of the development of the key infrastructure of digital humanities, "Chinese Unified Time Scale Platform" (www.histchina.cn).

李春芳，博士(后)，中国传媒大学计算机与网络空间安全学院副教授，毕业于北京航空航天大学计算机学院/自动化学院，北京大学艺术学院访问学者。主要研究方向：计量电影、影视大数据、数据可视化、可解释人工智能。主持开发了中国电影知识体系平台（movie.yingshinet.com）、如艺剧本系统（ruyi.cool）、影像与课本（www.yingshinet.com）、中国电影翻译数据库(film.yingshinet.com)。

Chunfang Li, a postdoctoral fellow, is an associate professor in the School of Computer and Cyberspace Security, Communication University of China. She graduated from the School of Computer Science/Automation, Beijing University of Aeronautics and Astronautics, and is a visiting scholar in the School of Arts, Peking University. His main research interests: metric cinema, film and television big data, data visualization, interpretable artificial intelligence. He has led the development of China Film Knowledge System Platform (movie.yingshinet.com), RuYi Script System (ruyi.cool), Image and Textbook (www.yingshinet.com), and China Film Translation Database (film.yingshinet.com).

柏右铭（Yomi Braester)是华盛顿大学西雅图校区人文科学系Byron W. and Alice L. Lockwood讲席教授，比较文学、电影和媒体系教授;《华语电影学刊》 (Journal of Chinese Cinemas)主编。主要致力于文学与视觉文化实践研究，关注中国当下的建筑、广告、影像媒介以及舞台艺术；他的研究聚焦于文本和影像如何形构并操控我们对于空间和历史的感知。著有《见证历史：二十世纪中国的文学、电影和公众话语》（2003 年）和《Painting the City Red: Chinese Cinema and the Urban Contract》（2010 年）等。曾获得古根海姆学者奖学金、约瑟夫-莱文森图书奖、中国比较文学协会主席（2006-2008）、北京电影学院杰出客座教授、中国人民大学杰出海外学者等。

Yomi Braester is the Byron W. and Alice L. Lockwood Endowed Professor in the Department of Humanities at the University of Washington, Seattle. He is also a professor in Comparative Literature, Film, and Media Studies. He serves as the editor-in-chief of the Journal of Chinese Cinemas. His research primarily focuses on the study of literature and visual cultural practices, with a particular interest in contemporary architecture, advertising, film, media, and performing arts in China. His research explores how texts and images shape and manipulate our perception of space and history. He has authored several books, including Witness against History: Literature, Film, and Public Discourse in Twentieth-Century China (2003) and Painting the City Red: Chinese Cinema and the Urban Contract (2010). Professor Braester has received numerous accolades, including the Guggenheim Fellowship, the Joseph Levenson Book Prize, and the presidency of the Chinese Comparative Literature Association (2006-2008). He has also been appointed as a distinguished visiting professor at the Beijing Film Academy and an outstanding overseas scholar at Renmin University of China.

邱章红，安徽桐城人，哲学、经济学博士，现为北京大学艺术学院教授、影视学系主任、北京大学数字媒体实验中心主任、国家一级剪辑师。主要从事电影经济学、3D电影、互动叙事、计算传播学等方面的研究工作，先后主持承担教育部、国家广电总局、文化部、广东省等省部级科研项目6项、“973”、科技支撑计划、国家社科基金等国家重点科研项目4项，著有《第四票房》、《深度之美》。

Zhanghong Qiu, born in Tongcheng, Anhui Province, doctor's degree in philosophy and economics, is a Professor of the School of Art, Peking University. The director of the Department of Film and Television, the director of the Experimental Center of Digital Media of Peking University and the Country level editor of China. Mainly engaged in research work on film economics, 3D film, interactive narrative studies and computational communication research. Presided six provincial and ministerial scientific research projects of the Ministry of Education, the State Administration of Radio, Film and Television, the Ministry of Culture and Guangdong Province. Presided four national key scientific research projects such as National Basic Research Program of China (973 Program), science and Technology Support Plan, and National Social Science Fund. Authored of and .

陈刚，北京师范大学艺术与传媒学院副院长、影视传媒系主任、教授。北京市宣传文化系统“四个一批”人才、北京市广播电视和网络视听行业青年创新人才。中国电影家协会理论评论委员会理事、中国电影评论学会理事、中国夏衍电影学会理事、北京电影家协会理事、美国杜克大学访问学者。主要从事电影历史及理论、电影艺术创作、电影数字人文等研究。

Gang Chen is the vice-dean of School of Art and Communication, Director of the Department of TV Movie and Media and Professor of Beijing Normal University. "Four batch" talent of Beijing Municipal Propaganda and Culture System, young innovative leader of Beijing radio and television industry and network audiovisual industry. Director of Theoretical Critics Committee of China Film Association, Director of China Film Critics Society, Director of China Xia Yan Film Society, Director of Beijing Film Association and the visiting scholar of Duke University. Mainly engaged in film history and theory, film art creation and film digital humanities research.

檀秋文，《当代电影》杂志编审，《当代动画》杂志执行主编，中国电影评论学会理事；主要研究方向为中国电影史、当代电影文化；公开发表学术论文40余篇，出版个人著作四部。

Qiuwen Tan is the editor of Contemporary Cinema, executive editor of Contemporary Animation, and director of the Chinese Film Critics Association; his main research interests are Chinese film history and contemporary film culture; he has published more than 40 academic papers and four individual books.

陈接峰，博士，安徽师范大学新闻与传播学院教授，博士生导师，研究方向：新媒体艺术、网络文艺、媒介哲学。

Jiefeng Chen, Ph.D., is a Professor of the School of Journalism and Communication, Anhui Normal University, supervisor for doctoral students. His research interests are new media art, network literature, and art, media philosophy.

谭文鑫，博士，长沙学院影视艺术与文化传播学院教授，硕士生导师，北京大学艺术学院访问学者；主要研究方向为中国电影史、中国现代文学。

Wenxin Tan, Ph.D., is a Professor of the School of Film Arts and Culture Communication, Changsha College, supervisor for master’s students. He is a visiting scholar at the School of Art, Peking University. His research interests are Chinese film history and contemporary literature.

文宽奎 문관규 (文寬奎)

부산대학교 예술대학 예술문화영상학과 교수

釜山国立大学艺术学院教授、电影研究所所长、韩国电影学会会长

Mun Gwan gyu is a professor in the Department of Art and Culture Film Studies at Pusan National University's College of Arts. He also serves as the Director of the Film Research Institute and the President of the Korean Society of Film Studies.

东京大学综合文化研究科教授，博士生导师，日本京都大学博士。曾任东京国际电影节亚洲部门评审。主要研究方向是海外华人的电影制作及其身份认同。主要著作有《ナショナル・シネマの彼方にて--中国系移民の映画とナショナル・アイデンティティ》（国别电影的彼岸---中国移民的电影及其身份认同）日本:晃洋书房，2014年。合著有《男性羁绊，亚洲电影》日本：平凡社，2004年。《粤港電影因縁》香港電影資料館，2005年。《现代好莱坞电影论集》日本：人文书院，2008年，《冷戦與香港電影》香港電影資料館，2009年。WWII Cultural Politics around East Asian Cinema:1939-2018,TransPacific Press,2019年等多部。

Yanli HAN is a professor and doctoral advisor in the Graduate School of Interdisciplinary Information Studies at the University of Tokyo, she graduated from the University of Tokyo, Japan with a Ph.D. She was a judge for the Asian section of the Tokyo International Film Festival. Her main research focus is on the film production and identity formation of overseas Chinese. She is the author of the book Beyond National Cinema: Chinese Immigrant Films and National Identity (2014, Koyo Shobo). She has also co-authored works such as Male Bonds, Asian Cinema (2004, Heibonsha), Hong Kong Cinema: Fates Intertwined (2005, Hong Kong Film Archive), Collection of Essays on Modern Hollywood Cinema (2008, Jinbun Shoin), The Cold War and Hong Kong Cinema (2009, Hong Kong Film Archive), and WWII Cultural Politics around East Asian Cinema: 1939-2018 (2019, Trans Pacific Press), among others. Additionally, she has published several papers including "Tracing Overseas Shadows: Film Production of Chinese Immigrants in Silent Film Era" in Contemporary Cinema (2016) and "Film Screenings in Pre-War Brazilian Nikkei Society" in EX: Journal of Language and Culture (2017).

李洋，北京大学艺术学院副院长，教授、博士生导师，教育部青年长江学者，制片人，法国戴高乐大学电影学博士，欧盟大学委员会伊拉斯谟计划高级访问学者，中国高教学会美育专业委员会副理事长，主要研究欧洲电影史、电影理论与西方当代艺术理论，主持和参与国家社科基金等各类项目7项，在《文艺研究》《电影艺术》等发表论文40多篇，著有《目光的伦理》《迷影文化史》等，译有《巴迪欧论电影》《莱昂内往事》等，“新迷影丛书”主编，“迷影精神赏”发起人，曾在上海国际电影节、华语电影传媒大奖、大学生电影节、华语青年影像周、FIRST青年电影展、香港鲜浪潮影展等电影节担任选片评审。

Yang LI is a professor of Art Theory & Film Studies, the vice-dean of the School of Arts, Peking University, Ph.D. in Film Studies from the Université de Lille (2008). Professor Li is the Changjiang Young Distinguished Professor and is the Senior Visiting Scholar of the Erasmus Program of the EEES. He also serves as the Deputy Director of the Fine Arts Education Professional Committee of the China Higher Education Association, and independent film producer. His main research interests include European film history, film theory, and contemporary Western art theory. He has led and participated in various projects funded by the National Social Science Fund and has published over 40 articles in journals such as Literary Studies and Film Art. He is the author of books such as The Ethics of Gaze and A History of Cult Films, and has translated works such as Badiou on Cinema and Conversation avec Sergio Leone. He serves as the editor-in-chief of the "New Cinephilia Series" and is the initiator of the "Cinephilia Spirit Award" project. He has also served as a jury member for the Shanghai International Film Festival, Beijing International Film Festival, the University Film Festival of China, FIRST Youth Film Festival (Xi Ning), and Hong Kong Fresh Wave International Film Festival, among others.

统 筹 | 易 婧
文案编辑 | 栗 琳 周丹丹 李思锐 柴 波

海报设计 | 朱子彤 陈墨非

议程安排 | 易 婧 陈 都

海外联络 | 严婧瑞 温 岩