董丽慧，清华大学美术学院、美国匹兹堡大学艺术史博士，现为北京大学艺术学院助理教授，研究方向为中西艺术交流及视觉文化研究。目前研究领域涉及晚清宫廷肖像、传教士美术、早期摄影史论。在国内外核心期刊发表《博弈与错位：从慈禧肖像看晚清国家形象塑造》、《妖术/技术/美术：20世纪20年代中国现代摄影的历史语境》、《明清之际随传教士入华的西文插图书籍及其在华影响》、《圣母形象在中国的形成、图像转译及其影响》等论文，已出版专著《西洋图像的中式转译：16、17世纪中国基督教图像研究》（台湾花木兰出版社2018年）。

个人经历：

2017-2019 北京大学艺术学院博雅博士后，课题方向：中西艺术交流及视觉文化研究

2008-2017 美国匹兹堡大学（University of Pittsburgh）建筑与艺术史系，获艺术史硕士、博士学位

2002-2013 清华大学美术学院艺术史论系，获艺术史学士、硕士、博士学位

Lihui Dong, is currently assistant professor in the School of Arts at Peking University, and holds PhD degrees in Art History from Tsinghua University and the University of Pittsburgh. Her present research project centers upon art exchange between the East and West, and visual culture studies. Her research interests relate to Qing Dynasty court portraiture, Christian art in China, and the history and theory of early photography. Selected publications include “Game Playing and Cultural Misreading: How the Empress Dowager Cixi’s Portraits Representing the National Image of China in the Early 20th Century,” “From the Black Art, Western Technique to Modern Art: The Historical Context of Chinese Modern Photography in the 1920s,” “Influence and Diffusion of Illustrated Books Imported by Western Missionaries in the 16th and 17th Century China,” “The Development, Visual Translation and Influences of the Images of Madonna in China” and Chinese Translation of Western Images: Christian Art in China in the 16th and 17th century.